A month or so ago my co-workers and I travelled up to Seattle for an event. The car we took was the newest vechicle I’ve ever been in and the inside looked like a spaceship. Well, really, what the current present regards as a spaceship, which reality falls a touch short of.
I off-handedly noted that car design was tending towards a super-future look to give us the feeling of personal space vehicles that our past predicted and future denies us. We can’t have the future so we’re creating a façade around our everyday objects in an attempt to placate our desires.
The past several seasons (and what has been popping up in between) is tending in the same direction. Though some designers have always “looked ahead”, today’s idea of tomorrow is permeating through collections in ever more obvious ways. And I’m not even looking at shoes and accessories, because I’m not trying to draft a thesis paper here, just pointing a couple things out.
I can’t pretend to know why, and I will ignore the obvious fall backs, like escapism to a time and space of ready cash to drop on the latest couple-thou frock. Everybody says stuff like that and, on average, everybody is wrong.
The retro-future aspects of some of the looks is like a one-two punch—pulling nostalgia from a past that wasn’t to a future that probably won’t. But, I mean, the future is now, right? We’re looking at Resort: 2010 (thankfully not designed by one, though pity not the other). The cycle of retro-retro and futuretasma is congealing into a present of structure and shiny that just won’t be denied.